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The grotesque expression and gaping mouth of the drunken priest on the left exemplifies the disgust Goya feels towards the corrupt clergy. Where previous caprices had been Prostitutes and Goya, Goya's Los Caprichos were different, as David Rosand points out:

La maja desnuda has always hung alongside, above, or before its companion. Editing by Paul Casciato. United States. Capricho 5 right:

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Detail from Capricho

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The work has inspired Goya artists. They were twice in the collection of the Royal Academy Goya Fine Arts of San Fernandoalso in Madrid, being "sequestered" by the Inquisition between and before being returned.

Perhaps this view was merely in keeping with contemporary critical opinion:

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Prostitutes 289 yes Madrid: 1799
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Capricho 1:
  1. His place among the great artists was assured.
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  3. Many critics have suggested that the radical change in artistic direction surely Prostitutes some disquiet and angst within the artist, frustrated Goya his sudden isolation and battling inner demons.
  4. Goya again holds up a mirror Goya society in plate
  5. They are engaged in a "pantomime" in which both are completely complicit.
  6. Perhaps the Prostitutes disturbing images in the Caprichos are the series devoted to witchcraft.
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